“A Yuri Story About Breaking A Petty Girl Who Keeps Insisting She Won’t Lose Into Submission”
Gotta love Japanese titles. It’s a petty funny manga, but not very long yet.
“A Yuri Story About Breaking A Petty Girl Who Keeps Insisting She Won’t Lose Into Submission”
Gotta love Japanese titles. It’s a petty funny manga, but not very long yet.


That’s exciting! I’ve been enjoying the manga, and had no idea an anime was happening. I can’t wait to check it out.
The cheeseburger of Theseus


#7, because it doesn’t say I will be magically provided any pens, and that’s the only style I know how to easily obtain. Which is important because I lose pens often.


DS1 - remove the dragon butts from Lost Izalith. They serve no purpose, and I think the area would actually be more interesting and thematic without them in it, as a barren wasteland of lava.


I did Max out pyromancy but didn’t end up using it much. I’ve played the game a… lot… lol. At a certain point the extra damage from pyro being busted doesn’t matter anymore, you just have to worry about not being hit and everything else is fluff, and the weapons do good enough if you rush to upgrade them. This was actually the first time I used the reinforced club too, I usually go with the battle Axe, but i gotta say that the ref. club felt really nice. And yes the bosses were the easiest part by far. I think I had around 15 attempts running to Nito but killed him first try when I finally got there. It was a fun experience though because I got to make use of all the more niche or ‘useless’ shortcuts that I normally would just run past due to a nearby bonfire. Really makes you appreciate the level design in a new light.


Just today I finished my SL1 + no lighting bonfires run of DS1. It was interesting, but the run from firelink to Nito was annoying… So probably taking a break from souls games for s bit.
I’m not a tattoo kind of person, but it is cool to see ones I recognize on other people.
I’m almost positive it’s the characters from ‘She Loves to Cook, and She Loves to Eat’